Winter 2018 Class Schedule
Course | Title | Instructor | Day/Time | |
---|---|---|---|---|
101-1-26 | Beginning German | Paluch | MTThF 3-3:50 | |
101-1-26 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-1-27 | Beginning German | Paluch | MTThF 4-4:50 | |
101-1-27 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-20 | Beginning German | Meuser | MTWF 9-9:50 | |
101-20 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-21 | Beginning German | Tevebring | MTWF | |
101-21 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-22 | Beginning German | Ryder | MTWF 11-11:50 | |
101-22 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
101-24 | Beginning German | Tevebring | MTWF 1-1:50 | |
101-24 Beginning GermanThe Beginning German sequence offers students a systematic introduction to German language and culture emphasizing the four modalities: speaking, listening comprehension, reading and writing. The first quarter (101-1) offers a systematic review of basic German words, phrases with a cultural focus on Germany, an introduction of simple grammar items, and short interview practice at the end of the quarter. The second quarter (101-2) includes a variety of writing assignments, cultural presentations, reading poems by Goethe, the visit of a Mystery Guest, as well as intensive work with the strong and irregular verbs. In the third quarter (101-3), students will read and discuss short stories and plays by Grimm, Brecht and Kafka! The highlight will be an in-class skit performance which culminates in the almost famous *Evening O' Skits* featuring the best student selected skits from first and second-year German. | ||||
102-20 | Intermediate German | Zeller | MTWF 9-9:50 | |
102-20 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-21 | Intermediate German | Kerlova | MTWF 10-10:50 | |
102-21 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-22 | Intermediate German | Ryder | MTWF 11-11:50 | |
102-22 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
102-24 | Intermediate German | Ryder | MTWF 1-1:50 | |
102-24 Intermediate GermanThe Intermediate German sequence offers students a systematic review of German language and culture to increase linguistic proficiency and cultural literacy. The pedagogy used fosters learning in the four modalities: speaking, listening comprehension, reading and writing. Each quarter has a specific focus: In the Fall Quarter (102-1) students concentrate on speaking and communication and on the history of the GDR and the 20th anniversary of Germanyʼs reunification, in the Winter Quarter (102-2) on writing and on contemporary German culture, and in the Spring Quarter (102-3) on reading, theatre, and performance and on 20th -century literature by German-speaking authors. | ||||
221-1 | Introduction to Literature: 1800-1900 | Behrs | TTh 11-12:20 | |
221-1 Introduction to Literature: 1800-1900This course, designed for majors and non-majors, presents an overview of German literary history of the 19th century – from Weimar classicism to radical modernist movements of the 1890s. Students will learn to closely examine representative texts such as poetry, prose, and drama with a special focus on the rapidly changing historical and literary environment that was typical for this period. By keeping the number of students in the class relatively small, there will be ample opportunity to practice the close reading of literary texts and the analysis of complex works of art in a foreign language. Prerequisite in German: One 200-level course in German or permission of the DUS. This course counts for Distribution Area VI. | ||||
226 | New Voices in German Literature | Weheliye | TTh 11-12:20 | |
226 New Voices in German LiteratureCourses under this rubric introduce students to contemporary German literature in English translation such as the contemporary historical novel, new and important short story, novels, and/or memoirs. Topics vary and may include: The Black Diaspora and Transnationality, a course that will a) explore the concepts of “diaspora” and “transnationalism” in order to situate the course materials within the broader networks of the global African Diaspora; b) survey theoretical and historical readings about the emergence of black communities in the UK and Germany as well as their transnational conversations with other Afro-diasporic groups; and c) introduce students to the cultural productions of Afro-diasporic groups in Britain and Germany such as films, music, novels, and autobiographies. Please consult Caesar for current topic. German 226 may be repeated for credit with different topics. | ||||
228 | The German Film | Parkinson | MW(F) 1-1:50 | |
228 The German FilmCourses under this rubric offer in-depth study of German films and their cultural background. Topics vary and may include: Cinema and the City, a course which will draw on a wide range of classic and lesser-known films from the Weimar period onward. Students will be introduced to major German cities and analyze both how space and social relationships are imagined in the German metropolis and in terms of the relationship between a German and an “extra-territorial” city. How does urban space influence how one thinks about forms of national, gendered, ethnic, sexual, and class identity? How does the perception of social relations in the urban space and in cinematic form organize the view of political and social networks? Approaches to these questions will include: formal and aesthetic analysis, examinations of the historical background and cultural specifics of both the films and the cities under consideration, and the close reading and interpretation of a brief selection of classical texts on modernity, mass society, production and reception histories, and theories of space. Please consult Caesar for current topic. German 228 may be repeated for credit with different topics. | ||||
272 | Luther and the West | Kohli | TTh 2-3:20 | |
272 Luther and the WestOctober 31, 2017 marked the 500th anniversary of the Protestant Reformation. This anniversary commemorated the day the German monk Martin Luther is said to have posted his 95 Theses on the church door in Wittenberg, Germany. The results of Luther’s ideas and actions cannot be understated. His teachings led to an ongoing division between Roman Catholic and Protestant forms of Christianity and inaugurated a “modern” turn towards rationalism, secularism, and individualism. This course probes the lasting significance of Luther’s life and thought in the modern West. Two questions will guide the course. First, how did Luther shape the cultural, political, and social questions and issues in the West since the 16th century? And, second, what is Luther’s ongoing relevance in the West today? | ||||
307 | German Media | Behrs | TTh 2-3:20 | |
307 German MediaThis course is concerned with how current political, socioeconomic, and cultural events in Germany and Europe are portrayed in German media (this includes print, TV, news broadcasts and social media). Current topics will be discussed such as for example how the presence of a far-right populist party in the parliament will alter the form of politic discourse in ways that are yet to be seen. The class will also include a discussion of journalistic differences among media sources. There will be ample room for students’ suggestions as well as for current events that are not yet foreseeable. The class aims to give students an overview of the German media landscape in general and answer the question which newspapers and TV channels are suited to fulfill the students’ information needs and what they can do to follow current developments in Germany. Prerequisite in German: Three 200-level courses in German or permission of the DUS. | ||||
322 | German Contributions to World Literature | Kerlova | TTh 3:30-4:50 | |
322 German Contributions to World LiteratureCourses taught under this heading are oriented to the origin and consequences of major works of modern German literature. Topics may include: Nietzsche’s Will to Power as Eternal Return, a course that will illuminate the three different directions of Nietzsche’s thought – language, eternal return, will to power, by focusing on their mutual interdependence, and above all, on the way his practice of writing provides the indispensable context for understanding the concepts it articulates. The literary dimension of Nietzsche’s writing – evident in Thus Spoke Zarathustra, but prevalent throughout – consists in the priority of the “how” of his writing over the “what” of its “content.” Readings and discussions in class will center around a brief résumé of Nietzsche’s conception of language and rhetoric; a discussion of his conception of “eternal return”; and an interpretation of his efforts to think what he calls “the will to power”. Please consult Caesar for current topic. German 322 may be repeated for credit with different topics. | ||||
334 | Writers and their Critics | Weber | TTh 9:30-10:50 | |
334 Writers and their CriticsCourses under this rubric will expose students to texts of leading writers in German through a discussion of the criticism these texts have evoked. Students will thereby be given the opportunity to reflect on the relationship between literary texts and their historical and critical interpretation. Topics may include: Kafka and the Question of the Narrator, a seminar on the question of the narrator and the role the narrative plays in Kafka’s fiction. Much of Kafka criticism avoids this question either by equating the narrator with the author and focusing on “Kafka,” or by regarding the narrative as transparent and focusing on the objects represented. Perhaps the most powerful and significant aspect of his writings relates, however, to the ambiguous figure and discourse of the narrator. The narrative never simply relates a series of events existing independently of the perspective from which they are presented. It thereby reveals something about the process of story-telling as well as of the different figures and events involved in it. Please consult Caesar for current topic. German 334 may be repeated for credit with different topics. | ||||
337 | Science and Culture in Germany | TTh | 12:30-1:50 Kreienbrock | |
337 Science and Culture in GermanyGermany is often regarded as being at the forefront of European developments concerning issues such as climate change and recycling, transport and renewable energy sources. This class will trace the scientific, political, philosophical, and aesthetic history of Germany as a ‘green nation’ from the 18th century until today. What are the roots of the ideology of environmentalism as it is represented in concepts like environment, ecology, or sustainability, which were all invented or popularized by German scientists (von Uexküll, Haeckel, von Carlowitz)? The course will also examine recent developments in German environmental policies like the so-called “Energiewende” and the “Diesel-Skandal”. Prerequisite in German: Three 200-level courses in German (at least one in literature) or permission of the DUS. This course counts for Distribution Area IV and Area VI. | ||||
402 | German Literature and Critical Thought, 1832-1900 (1) | Kreienbrock | W 2-4:50 | |
402 German Literature and Critical Thought, 1832-1900 (1)Thematic approach to key texts of 19th century German literature between Goethe and Gottfried Keller, tragedy and the Bildungsroman. Literary and philosophical texts are read side by side in order to interrogate traditional concepts of realism, mimesis, and interpretation. | ||||
441 | Studies in Communication and Culture (1) | Weber | M 2-4:50 | |
441 Studies in Communication and Culture (1)Content varies. Samples; feminist literature, media studies, the history of literary journals, and other specific topics representative of current research interests. May be repeated for credit with change of topic. Sample TOpics: Trauma; Nietzsche. |